Owner's Guide
for the
CRATTEE
Guitar Amplifier
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Guitar Amplifier
Congratulations!
You are now the proud owner of the Crate MFX1200H GuitarAmplifier. This rugged amp head combines
outstanding features with serious clean and distorted sounds. An easy to operate DSP section lets you dial
in a variety of digital effects such as delay, flange, chorus and reverb – with its own level control. Channel
selection, Crate’s exclusive Shape circuit, and DSP on/off are controllable by the supplied three-button
footswitch. A front panel insert jack allows virtually noise-free connection of your favorite effects.
Like all Crate products, your MFX1200H is designed by musicians and built using only the best compo-
nents. Extensive testing confirms that this amplifier is the absolute best it can be.
In order to get the most out of your new amplifier, we strongly urge you to read the information contained
in this manual before you begin playing.
And thank you for choosing
TABLE OF CONTENTS:
Important Safeguards and Precautions . . . . . . . . . . . . . . . . . . . . .3
The Front Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4,5
Suggested Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6
System Block Diagram . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7
Technical Specifications . . . . . . . . . . . . . . . . . . . . . . . . .back cover
CAUTION
PRECAUCION
ATTENTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
RIESGO DE CORRIENTAZO
NO ABRA
RISQUE D'ELECTROCUTION
NE PAS OUVRIR
WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC
SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOIS-
TURE. TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT
REMOVE COVER. NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
PRECAUCION: PARA REDUCIR EL RIESGO DE INCENDIOS
O
DESCARGAS
LA
ATTENTION: PROTÉGEZ CET APPAREIL DE LA PLUIE ET DE L'HUMIDITÉ
AFIN D'ÉVITER TOUT RISQUE D'INCENDIE OU D'ÉLECTROCUTION. POUR
REDUIRE D'ELECTROCUTION NE PAS ENLEVER LE COUVERCLE. AUCUNE
PIECE INTERNE N'EST REPRABLE PAR L'UTILISATEUR. POUR TOUTE
REPARATION, S'ADRESSER A UN TECHNICIEN QUALIFIE.
ELECTRICAS, NO PERMITA QUE ESTE APARATO QUEDE EXPUESTO
A
LLUVIA
O
LA HUMEDAD. PARA DISMINUOIR EL RIESGO DE CORRIENTAZO.
NO ABRA LA CUBIERTA. NO HAY PIEZAS ADENTRO QUE EL USARIO PUEDO
REPARAR DEJE TODO MANTENIMIENTO A LOS TECHNICOS CALIFICADOS.
IMPORTANT SAFETY INSTRUCTIONS
• READ, FOLLOW, HEED, AND KEEP ALL INSTRUCTIONS AND WARNINGS.
• DO NOT OPERATE NEAR ANY HEAT SOURCE AND DO NOT BLOCK ANY VENTILATION OPENINGS ON THIS APPARATUS.
• DO NOT USE THIS APPARATUS NEAR SPLASHING, FALLING, SPRAYING, OR STANDING LIQUIDS.
• CLEAN ONLY WITH LINT-FREE DAMP CLOTH AND DO NOT USE CLEANING AGENTS.
• ONLY CONNECT POWER CORD TO A POLARIZED, SAFETY GROUNDED OUTLET WIRED TO CURRENT ELECTRICAL CODES AND
COMPATIBLE WITH VOLTAGE, POWER, AND FREQUENCY REQUIREMENTS STATED ON THE REAR PANEL OF THE APPARATUS.
• PROTECT THE POWER CORD FROM DAMAGE DUE TO BEING WALKED ON, PINCHED, OR STRAINED.
• UNPLUG THE APPARATUS DURING LIGHTNING STORMS OR WHEN UNUSED FOR LONG PERIODS OF TIME.
• ONLY USE ATTACHMENTS, ACCESSORIES, STANDS, OR BRACKETS SPECIFIED BY THE MANUFACTURER FOR SAFE OPERA-
TION AND TO AVOID INJURY.
• THIS APPARATUS DOES NOT OPERATE NORMALLY AND REQUIRES SERVICE WITH ANY PHYSICAL DAMAGE FROM IMPACT OR
ANY EXPOSURE TO MOISTURE.
• SERVICE MUST BE PERFORMED BY QUALIFIED PERSONNEL.
• OUR AMPLIFIERS ARE CAPABLE OF PRODUCING HIGH SOUND PRESSURE LEVELS. CONTINUED EXPOSURE TO HIGH SOUND
PRESSURE LEVELS CAN CAUSE PERMANENT HEARING IMPAIRMENT OR LOSS. USER CAUTION IS ADVISED AND EAR PRO-
TECTION IS RECOMMENDED IF UNIT IS OPERATED AT HIGH VOLUME.
EXPLANATION OF GRAPHICAL SYMBOLS:
EXPLICACION DE SIMBOLOS GRAFICOS:
EXPLICATION DES SYMBÔLES GRAPHIQUES:
"IT IS NECESSARY FOR THE USER TO REFER TO THE INSTRUCTION MANUAL"
“ES NECESARIO QUE EL USUARIO SE REFIERA AL MANUAL DE INSTRUCCIONES.”
"REFERREZ-VOUS AU MANUAL D'UTILISATION"
"DANGEROUS VOLTAGE"
“VOLTAJE PELIGROSO”
"DANGER HAUTE TENSION"
=
=
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Guitar Amplifier
Important Safeguards and Precautions:
All Crate products are designed for continuous safe operation. Abiding by the following
rules can help prevent damage to your amplifier, yourself and others.
• The amplifier is equipped with a three-pronged AC power cord. To
reduce the risk of electrical shock, NEVER remove or otherwise attempt
to defeat the ground pin of the power cord.
• Connect the amplifier ONLY to a properly grounded AC outlet of the
proper voltage for your amp.
• Avoid sudden temperature extremes, rain and moisture. Also, avoid
sudden and intense impact. (If the unit has been subjected to any of the
preceding abuses, have it looked at by an authorized service center.)
• Do not expose the unit to splashing or dripping liquid. Do not place liq-
uid filled objects on the unit.
• NEVER set the amplifier on a support that will not bear its weight.
• Always keep the total speaker impedance at or above the rated load.
• Unplug the amplifier before cleaning it. NEVER spray liquid cleaners
onto the amplifier. Wipe it with a slightly dampened, lint-free cloth to
remove dirt and film.
• DO NOT use the amplifier if it has sustained damage to the chassis,
controls, or power cord. Refer the unit to an authorized service center
for inspection.
• Prolonged exposure to high volume levels may cause permanent hear-
ing loss or damage. Such damage is progressive and irreversible!
Declaration Of Conformity
#30, Effective 01-01-2001
Manufacturer’s Name:
Production Facility:
SLM Electronics
11880 Borman Drive, St. Louis, MO 63146, USA
700 Hwy 202 W, Yellville, AR 72687, USA
1400 Ferguson Ave., St. Louis, MO 63133, USA
1400 Ferguson Ave., St. Louis, MO 63133, USA
Production Facility:
Shipping Facility:
Office Facility:
Product Type:
Audio Amplifier
Complies with Standards:
LVD:
Safety:
EMC:
92/31/EEC, 93/68/EEC, & 73/23/EWG
EN60065
EN55013, EN55020, EN55022, EN61000-3-2,
& EN61000-3-3
Supplementary information provided by:
SLM Electronics - R & D Engineering
1901 Congressional Drive, St Louis, MO 63146, USA
Tel.: 314-569-0141, Fax: 314-569-0175
3
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Guitar Amplifier
The Front Panel:
1: INPUT: Use this 1/4” jack to connect your
instrument to the amplifier by means of a
shielded instrument cable.
the high frequency output. Rotating the control
clockwise increases the high frequency out-
put. The High control provides a range of 10dB
of boost or cut at 10kHz.
OVERDRIVE CHANNEL: A high gain channel
giving you sounds from a slight edge to seri-
ous overdrive.
8: LEVEL: Use this control to adjust the output
level of the Overdrive channel.
2: GAIN 1: Use this control to adjust the input
gain for the Overdrive channel. Gain 1 pro-
duces less distortion than Gain 2 (#3) and is
active when the Gain switch (#5) is in the out
position.
9: CHAN: Use this switch to select the
Overdrive channel or the Clean channel.
When the switch is in the out position the
Clean channel is selected. The Overdrive
channel is selected when the switch is
depressed. The adjacent LEDs illuminate to
indicate which channel is selected. Channel
selection may also be made with a footswitch
(#17).
3: GAIN 2: Use this control to adjust the input
gain for the Overdrive channel. Gain 2 pro-
duces more distortion than Gain 1 (#2) and is
active when the Gain switch (#5) is depressed.
CLEAN CHANNEL: A normal gain channel
designed to give you crystal clear sounds.
4: SHAPE: Use this control to adjust the tone
of the input signal for Gain 2. Rotating this
control counterclockwise emphasizes the
midrange frequencies. Rotating this control
clockwise emphasizes the low and high fre-
quencies. This control is active when the Gain
switch (#5) is depressed.
10: LEVEL: Use this control to adjust the out-
put level of the Clean channel.
11: LOW: Use this control to adjust the bass
response of the Clean channel. Rotating the
control counterclockwise reduces the low fre-
quency output. Rotating the control clockwise
increases the low frequency output. The Low
control provides a range of 22dB of boost or
cut at 80Hz.
5: GAIN: Use this switch to select Gain 1 or
Gain 2 for the Overdrive channel. When the
switch is in the out position Gain 1 is selected.
Gain 2 is selected when the switch is
depressed.
12: MID: Use this control to adjust the
midrange frequency response of the Clean
channel. Rotating the control counterclock-
wise reduces the midrange frequency output.
Rotating the control clockwise increases the
high frequency output. The Mid control pro-
vides a range of 14dB of boost or cut at
600Hz.
6: LOW: Use this control to adjust the bass
response of the Overdrive channel. Rotating
the control counterclockwise reduces the low
frequency output. Rotating the control clock-
wise increases the low frequency output. The
Low control provides a range of 11dB of boost
or cut at 80Hz.
7: HIGH: Use this control to adjust the high
frequency response of the Overdrive channel.
Rotating the control counterclockwise reduces
4
13: HIGH: Use this control to adjust the high
frequency response of the Clean channel.
Rotating the control counterclockwise reduces
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Guitar Amplifier
the high frequency output. Rotating the control
clockwise increases the high frequency out-
put. The High control provides a range of 28dB
of boost or cut at 10kHz.
19: POWER: Use this switch to turn the ampli-
fier on (top of the switch depressed) and off
(bottom of the switch depressed).
20: POWER CORD (rear panel, not shown):
The grounded power cord should only be
plugged into a grounded power outlet that
meets all applicable electrical codes and is
compatible with the voltage, power, and fre-
quency requirements stated on the rear panel.
Do not attempt to defeat the safety ground
connection.
14: DSP LEVEL: Use this control to adjust the
amount of digital signal processing to be
applied to the signal. In the fully counterclock-
wise position the output signal is “dry” (no
effect applied). As you rotate the control clock-
wise the amount of effect increases. The DSP
may be turned on and off with a footswitch
(#17).
Connecting to the Insert jack:
15: DSP MODE: Use this control to select one
of the ten digital effects. The nomenclature
around the Mode control defines the five types
of effects available. Each effect listed has two
variations as described below:
The Insert jack (#16) allow you to patch an
external effects device into the amplifier prior
to its power amp stage. Use Crate’s STP201,
STP202 or STP203 stereo-to-mono Y cord or
an adapter such as Crate’s YPP117 and two
1/4” mono signal cables to connect the effect
as shown below.
DELAY: Slapback delay
Long delay w/regeneration
FLANGE: Light Flange
Heavy Flange
Stereo-to-mono Y-cord:
Y-adapter and 2 cables:
CHORUS: Slow Chorus
TIP
RETURN
TIP
RING
to Insert
jack
to Insert
jack
Fast Chorus
RING
SLEEVE
SEND
GROUND
SLEEVE
CHO-REV: Chorus w/small room reverb
Chorus w/large room reverb
(STP201, 3'
STP202, 6'
STP203, 9')
(YPP117)
REVERB: Small room reverb
Large room reverb
16: INSERT: Use this jack to connect an
external signal processor to the amplifier.
Refer to the adjacent illustration for additional
information.
(1/4"-TO-1/4"
MONO CABLES)
17: FOOTSWITCH: Use this jack to connect a
two-button footswitch to the amplifier for
remote control of channel selection and DSP
on and off.
to
to
effect
"IN"
to
to
effect
"IN"
effect
"OUT"
jack
effect
"OUT"
jack
jack
jack
18: ON LED: This LED illuminates when the
External Effect
External Effect
amplifier is turned on.
5
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