Crate Amplifiers Stereo Amplifier 6210 User Manual

VC-6112/6210/6212  
Vintage Club Amplifier  
OWNER’S MANUAL  
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VC-6112/6210/6212 Amplifier  
Congratulations!  
You are now the proud owner of one of the newest and most versatile tube amplifiers  
available for the guitar! The CRATE Vintage Club Series offers flexibilty and portability with  
two separate channels for a uniqely rich palette of tonal variety and simplicity of control  
over your sound.  
Your CRATE Vintage Club Series amplifier is musician-made in the U.S.A. using the  
finest components available. Each unit is rigorously tested by skilled technicians and musi-  
cians to ensure that your amplifier is the best it can be!  
In order to get the most out of your new amplifier, we strongly urge you to go over the  
information contained in this manual before you begin playing  
And thank you for choosing  
CAUTION  
ATTENTION  
VORSICHT  
RISK OF ELECTRIC SHOCK  
DO NOT OPEN  
RISQUE D'ELECTROCUTION  
NE PAS OUVRIR  
ELEKTRISCHE SCHLAGGEFAHR  
NICHT OFFENEN  
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,  
DO NOT REMOVE COVER.  
NO USER-SERVICEABLE PARTS INSIDE.  
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.  
ATTENTION: POUR REDUIRE D'ELECTROCUTION NE PAS  
ENLEVER LE COUVERCLE. AUCUNE PIECE INTERNE N'EST REPRABLE  
PAR L'UTILISATEUR. POUR TOUTE REPARATION, S'ADRESSER A UN  
TECHNICIEN QUALIFIE.  
VORSICHT: ZUR MINIMIERUNG ELEKTRISCHER SCHLAGGEFAHR NICHT  
DEN DECKEL ABENHMEN. INTERNE TEILE KONNEN NICHT VOM  
BENUTZER GEWARTET WERDEN. DIE WARTUNG IS QUALIFIZIERTEM  
WARTUNGSPERSONAL ZU UBERLASSEN.  
THIS EQUIPMENT HAS BEEN DESIGNED AND ENGINEERED TO PROVIDE SAFE AND RELIABLE OPERATION. IN ORDER TO PROLONG THE LIFE  
OF THE UNIT AND PREVENT ACCIDENTAL DAMAGES OR INJURY, PLEASE FOLLOW THESE PRECAUTIONARY GUIDELINES:  
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT OPEN CHASSIS; DO NOT DEFEAT OR REMOVE THE GROUND PIN OF THE  
POWER CORD; CONNECT ONLY TO A PROPERLY GROUNDED AC POWER OUTLET.  
WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE.  
CAUTION: NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.  
CAUTION: THIS UNIT IS CAPABLE OF PRODUCING HIGH SOUND PRESSURE LEVELS. CONTINUED EXPOSURE TO HIGH SOUND PRESSURE  
LEVELS CAN CAUSE PERMANENT HEARING IMPAIRMENT OR LOSS. USER CAUTION IS ADVISED, AND EAR PROTECTION RECOMMENDED IF  
UNIT IS OPERATED AT HIGH VOLUME. THE CHART BELOW SHOWS THE U.S. GOVERNMENT’S OCCUPATIONAL SAFETY AND HEALTH ADMINIS-  
TRATION (OSHA) REGULATIONS WHICH WERE IN EFFECT AT THE TIME OF THIS PUBLICATION FOR PERMISSIBLE NOISE EXPOSURE, PER  
29CFR1910.95, TABLE G-16:  
SOUND LEVEL DBA, DURATION PER DAY  
SOUND LEVEL DBA, DURATION PER DAY  
SLOW RESPONSE  
IN HOURS  
SLOW RESPONSE  
IN HOURS  
90  
92  
8
6
4
3
2
102  
105  
110  
115  
1 - 1 1/2  
1
95  
1/2  
1/4 or less  
97  
100  
ACCORDING TO OSHA, ANY EXPOSURE IN EXCESS TO THESE AMOUNTS LISTED ABOVE COULD RESULT IN SOME HEARING LOSS.  
"IT IS NECESSARY FOR THE USER TO REFER TO THE INSTRUCTION MANUAL"  
"REFERREZ-VOUS AU MANUAL D'UTILISATION"  
"UNBEDINGT IN DER BEDIENUNGSANLEITUNG NACHSCHLAGEN"  
"DANGEROUS VOLTAGE"  
"DANGER HAUTE TENSION"  
"GEFAHLICHE SPANNUNG"  
EXPLANATION OF  
GRAPHICAL SYMBOLS:  
=
=
2
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VC-6112/6210/6212 Amplifier  
TABLE OF CONTENTS:  
Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3  
The Front Panel Controls and Their Use . . . . . . . . . . .4  
The Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5  
Connecting to the Insert Jack . . . . . . . . . . . . . . . . . . .5  
Some Suggested Settings . . . . . . . . . . . . . . . . . . . . .6  
System Block Diagram . . . . . . . . . . . . . . . . . . . . . . . .7  
Technical Specifications . . . . . . . . . . . . . . . .back cover  
Features:  
• All tube operation  
• Two completely independent channels with individual gain and tone controls  
• Channel switching from the front panel or footswitch (supplied)  
• Individual reverb return controls for each channel  
• Effects Loop for virtually noise-free connection of your favorite effect(s) – controllable  
by a footswitch (supplied)  
• Specially designed paper bobbin output transformer for a true “vintage” sound  
• Specially designed speakers for a distinctive harmonic richness and TONE, TONE,  
TONE!!!  
• Durable tolex® covering and special cosmetic treatments for a unique stage appearance  
3
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VC-6112/6210/6212 Amplifier  
1
2
3
4 5  
6
7
8 9 10  
11  
12  
13  
14  
15  
16  
The Front Panel Controls and Their Use:  
1. INPUT JACKS: The High input is a direct connection for “stan-  
dard” electric guitars. The Low input is padded 6dB and is best  
suited for guitars with “hot” pickups or on-board active electronics.  
(Use a high quality shielded instrument cable.)  
10. BASS CONTROLS: These controls adjust the low end levels for  
each channel.  
11. MASTER CONTROLS: These controls govern the output volume  
levels of each channel.  
2. CHANNEL SWITCH: Toggle this switch to the desired channel: up  
for Channel A, down for Channel B. A footswitch also may be used  
to select channels, in which case this switch is bypassed – see  
#25, rear panel.  
12. REVERB CONTROLS: These controls govern the amount of  
reverb applied to each channel.  
13. PRESENCE CONTROLS: These controls govern the upper-high  
frequencies for each channel, allowing an enhancement to the  
sound beyond the Treble and Mid controls.  
3. GAIN CONTROLS: These controls govern the amount of signal  
going to the output stage of the amplifier. Channel A Gain offers a  
range of sounds from clean to a bluesy crunch; Channel B from a  
slight crunch to full tilt screaming distortion.  
14. POWER LAMP: This dual color jewel lamp glows when the amp is  
turned on – an amber color indicates Channel A, a red color indi-  
cates Channel B.  
4. BRIGHT SWITCH: Toggle this switch to the ON position to boost  
the upper register of Channel B.  
15. STANDBY SWITCH: Toggle this switch to the ON position to acti-  
vate the amplifier – once the power switch (#16) has been on for  
at least 30 seconds. (This allows the tubes to come up to a safe  
operating temperature before use.) The amp should be set in the  
Standby mode (switch down) during extended breaks to help pro-  
mote longer tube life.  
5. MID BOOST SWITCH: Toggle this switch to the ON position to  
boost the midrange response of Channel A.  
6. TREBLE CONTROLS: These controls adjust the high frequency  
levels for each channel.  
7. MID CONTROLS: These controls adjust the midrange levels for  
16. POWER SWITCH: Toggle this switch to the ON position to turn on  
each channel.  
the amplifier.  
8. MID BOOST SWITCH: Toggle this switch to the ON position to  
NOTE: Always turn the power switch ON FIRST, OFF LAST. Use the  
Standby switch (toggled to the Standby position) when first turning  
the amp on as well as during breaks.  
boost the midrange response of Channel B.  
9. LOW BOOST SWITCH: Toggle this switch to the ON position to  
boost the low end response of Channel A.  
4
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VC-6112/6210/6212 Amplifier  
MODEL: VC-6212  
SERIAL: VC-62120000001  
LINE:  
WATTS:  
V ~  
MAX  
Hz  
TO REPLACE THE RISK OF FIRE,  
REPLACE FUSE WITH SAME TYPE  
AND RATING.  
SPEAKERS  
EFFECTS LOOP  
RETURN  
60 WATTS RMS  
SPEAKER IMPEDANCE MUST MATCH  
SELECTED AMPLIFIER IMPEDANCE  
MADE IN THE U.S.A. BY SLM ELECTRONICS  
1400 FERGUSON AVENUE, ST. LOUIS, MO 63133  
IMPEDANCE  
SELECTOR  
SEND  
FOOTSWITCH  
BIAS  
UTILISER UN FUSIBLE DE RECHANGE  
DE MEME TYPE.  
ADJUST  
T.P.  
CAUTION  
RISK OF ELECTRIC SHOCK  
DO NOT OPEN  
AVIS:RISQUE DE CHOC ELECTRIQUE. NE PAS OUVRIR.  
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,  
0
10  
AC LINE IN  
16  
8
MAIN  
EXT.  
R
NOTE: BIAS ADJUSTMENT  
SHOULD BE PERFORMED  
ONLY BY QUALIFIED SERVICE  
TECHNICIAN.  
WARNING:  
T
S
R
T
100  
220  
/
/
120 VAC  
240 VAC  
250V, T2.5A SLO BLO  
250V, T1.5A SLO BLO  
DO NOT EXPOSE THIS APPLIANCE TO RAIN OR  
MOISTURE.  
(USE FIRST)  
EFFECTS LEVEL  
S
TIP  
RING  
SLEEVE  
=
=
CH. SELECT  
LOOP ON/OFF  
GROUND  
=
17  
18  
19  
20  
21  
22  
23  
24  
25  
The Rear Panel:  
17. AC LINE IN: Firmly plug the female end of the supplied  
power cord into this socket, pushing it in until it is fully seat-  
ed. Plug the male end of the cord into a properly grounded  
AC outlet of the correct voltage. DO NOT DEFEAT THE  
GROUND PIN OF THE AC PLUG! Use only the supplied  
power cord. If the amplifier is to be used outside of the  
United States, see your authorized Crate dealer for infor-  
mation about alternate line cords and power converters if  
needed.  
22. EFFECTS LEVEL CONTROL: Use this knob to set the  
input level of the signal from the Effects Loop Return jack  
(#23). The Effects Loop Send level is adjusted by the  
Master volume controls (#11).  
23. EFFECTS LOOP RETURN JACK: Connection from an  
external effects device is made via this jack. Connect a  
shielded instrument patch cord from the output jack of the  
effect to the return jack. The return jack also doubles as a  
"power amp in" jack, to feed a line-level signal directly into  
the internal power amp. This is useful when "slaving" two  
amplifiers together. When using in this mode (slaving),  
make sure the front panel Master volume controls are all  
the way down (at “0”).  
18. FUSE: This fuse protects the amplifier against damages  
caused by overload conditions in the unit. If the fuse blows,  
replace it only with the same size and type as indicated on  
the rear panel. If the fuse blows continually, the line voltage  
may be incorrect, or the amp may need servicing.  
24. EFFECTS LOOP SEND JACK: Connection to an external  
effects device is made via this jack. Connect a shielded  
instrument patch cord from the send jack to the input jack  
of the effect. The send jack also doubles as a "preamp out"  
jack, to feed a post-eq signal to a mixing board, recording  
console or external amplifier.  
19. BIAS ADJUST / BIAS TEST POINT: For qualified  
Service Personnel only! (All others please just ignore  
these internal Bias adjustment potentiometers.)  
20. IMPEDANCE SWITCH: For the best performance and  
least strain on the amp, you MUST match the amp’s imped-  
ance to that of your speaker cabinet(s). Set the selector  
switch to the 8 or 16 ohm position, depending on the total  
impedance of your cabinets. The chart below can help you  
determine that impedance based on the following combi-  
nations of speakers connected in parallel.  
NOTE: Effects loop operation is parallel with the signal  
path. Mix controls on the effects should be set to 100% (full  
wet). If no effects are connected to the Effects Loop, the  
Effects Level control (#22) acts as an extra volume boost  
which can be activated by the footswitch. For the best sig-  
nal to noise ratio when NOT using the effects loop, keep  
the Effects Level control (#22) set to “0”.  
CAB IMP.  
16 ohms  
32 ohms  
32 ohms  
# OF CABS  
TOTAL IMP.  
8 ohms  
16 ohms  
8 ohms  
2
2
4
25. FOOTSWITCH JACK: Connect the supplied two button  
footswitch for control of channel switching and the effects  
loop on/off. The tip of the jack is for channel switching; the  
ring is for effects. When a footswitch is connected here, the  
front panel channel select switch is disabled.  
21. SPEAKER JACKS: The amplifier is shipped from the fac-  
tory with its internal speaker connected to Main speaker  
jack. An second cabinet may be connected to the Ext. jack,  
as long as the Impedance switch (#20) is properly set. If an  
external speaker cabinet is to be without the internal speak-  
er, uplug the internal speaker cable from the amplifer and  
connect the external speaker to the Main jack. (When  
reconnecting the internal speaker, be sure to use the Main  
speaker jack!  
5
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VC-6112/6210/6212 Amplifier  
Some Suggested Settings:  
Nice ’n Clean:  
Good ’n Crunchy:  
Jazz Tone:  
Bright ’n Crunchy:  
Strong Blues:  
Viola:  
It Goes to “12”:  
Blitzkreig:  
*Set Reverb to taste  
6
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VC-6112/6210/6212 Amplifier  
System Block Diagram:  
TRBL MID BASS GAIN  
GAIN  
STAGE  
GAIN  
INPUT  
STAGE  
STAGE  
MID  
LOW  
MSTR  
VOL.  
HI  
BOOST BOOST  
MSTR  
EFFECTS  
RETURN  
TRBL MID BASS VOL.  
TONE  
SEND RTRN  
SHAPING  
GAIN  
CONTROL  
LOW  
GAIN  
STAGE  
GAIN  
STAGE  
EFFECTS  
DRIVER  
MID  
BRIGHT  
BOOST  
OUTPUT  
STAGE  
OUTPUT  
TRANSFORMER  
DRIVER  
SPEAKER  
REVERB  
SEND  
REVERB  
RETURN  
EXTERNAL  
SPEAKER  
REVERB  
LEVELS  
PRESENCE  
7
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VC-6112/6210/6212 Amplifier  
TECHNICAL SPECIFICATIONS:  
Output Power Rating  
Input Impedance  
Maximum Signal Accepted  
Gain  
60W RMS @ 10% THD, 16 ohm load, 120 VAC  
1 M ohm  
0dB: 1.5V peak to peak; -6dB: 2.8V peak to peak  
Channel A:  
Channel B:  
68dB  
100dB  
Tone Control Range  
Channel A:  
Treble:  
Mid:  
Bass:  
Mid Boost:  
Low Boost:  
Treble:  
Mid:  
Bass:  
Bright:  
Mid Boost:  
Presence:  
16dB @ 5Hz  
8dB @ 700Hz  
10dB @ 50Hz  
12dB @ 800Hz  
13dB @ 100Hz  
16dB @ 2.5kHz  
6dB @ 800Hz  
22dB @ 150Hz  
10dB @ 3kHz  
8dB @ 800Hz  
4dB @ 10kHz  
Channel B:  
Both Channels  
Effects Send  
2.1V RMS @ full power output  
Speaker Complement  
VC-6112:  
VC-6210:  
VC-6212:  
(1) 12” Crate Vintage 16 ohm, 65W, 1.75” voice coil, 30oz magnet  
(2) 10” Crate Vintage 8 ohm, 50W, 1.75” voice coil, 30oz magnet  
(2) 12” Crate Vintage 8 ohm, 65W, 1.75” voice coil, 30oz magnet  
Tube Type  
Preamp: (1) 12AU7, (4) 12AX7; Power Amp: (2) 6L6GC/EL34  
Power Requirements  
120VAC, 60Hz, 300VA  
100/115VAC, 50/60Hz, 300VA  
230VAC, 50/60Hz, 300VA  
Size and Weight  
VC-6112:  
VC-6210:  
VC-6212:  
24” H x 19” W x 10” D, 48 lbs  
24” H x 19” W x 10” D, 52 lbs  
26” H x 20” W x 10” D, 55 lbs  
The VC-6112/6210/6212 is covered with a durable black Tolex® material. To keep the cabinet in top con-  
dition, wipe it clean with a damp lint-free cloth to remove dirt and road film. Never spray cleaning agents  
directly onto the cabinet, and stay away from abrasive cleansers which could damage the finish.  
Crate continually develops new products, as well as improves existing ones. For this reason, the specifications and information in this manual are subject to change without notice.  
©1998 SLM ELECTRONICS • A division of St. Louis Music • 1400 Ferguson Avenue • St. Louis, Mo 63133  
P/N 47-271-01 • 02/98  
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