Crate Amplifiers Musical Instrument Amplifier FlexWave 65 112 User Manual

Three-Channel Guitar Amplifier  
with DSP and Channel Tracking  
Owner’s Manual  
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FlexWave65/112 Guitar Amplifier w/DSP and Channel Tracking  
TABLE OF CONTENTS  
Introduction .............................................................3  
Channel Tracking .....................................................4  
The Front Panel .......................................................5  
The Rear Panel ........................................................6  
The DSP Section......................................................7  
Using the Footswitch with the DSP............................8  
Suggested Settings..................................................9  
System Block Diagram...........................................10  
Technical Specifications..........................................12  
Service Information................................................12  
CAUTION  
PRECAUCION  
ATTENTION  
RISK OF ELECTRIC SHOCK  
DO NOT OPEN  
RIESGO DE CORRIENTAZO  
NO ABRA  
RISQUE D'ELECTROCUTION  
NE PAS OUVRIR  
WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC  
SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN OR  
MOISTURE. TO REDUCE THE RISK OF ELECTRIC SHOCK, DO  
NOT REMOVE COVER. NO USER-SERVICEABLE PARTS INSIDE.  
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.  
PRECAUCION: PARA REDUCIR EL RIESGO DE INCENDIOS  
O
DESCARGAS  
LA  
ATTENTION: PROTÉGEZ CET APPAREIL DE LA PLUIE ET DE L'HUMIDITÉ  
AFIN D'ÉVITER TOUT RISQUE D'INCENDIE OU D'ÉLECTROCUTION. POUR  
REDUIRE D'ELECTROCUTION NE PAS ENLEVER LE COUVERCLE. AUCUNE  
PIECE INTERNE N'EST REPRABLE PAR L'UTILISATEUR. POUR TOUTE  
REPARATION, S'ADRESSER A UN TECHNICIEN QUALIFIE.  
ELECTRICAS, NO PERMITA QUE ESTE APARATO QUEDE EXPUESTO  
A
LLUVIA  
O
LA HUMEDAD. PARA DISMINUOIR EL RIESGO DE CORRIENTAZO.  
NO ABRA LA CUBIERTA. NO HAY PIEZAS ADENTRO QUE EL USARIO PUEDO  
REPARAR DEJE TODO MANTENIMIENTO A LOS TECHNICOS CALIFICADOS.  
IMPORTANT SAFETY INSTRUCTIONS  
READ, FOLLOW, HEED, AND KEEP ALL INSTRUCTIONS AND WARNINGS.  
DO NOT OPERATE NEAR ANY HEAT SOURCE AND DO NOT BLOCK ANY VENTILATION OPENINGS ON THIS APPARATUS. FOR  
PROPER OPERATION, THIS UNIT REQUIRES 3” (75mm) OF WELL VENTILATED SPACE AROUND HEATSINKS AND OTHER AIR  
FLOW PROVISIONS IN THE CABINET.  
DO NOT USE THIS APPARATUS NEAR SPLASHING, FALLING, SPRAYING, OR STANDING LIQUIDS.  
CLEAN ONLY WITH LINT-FREE DAMP CLOTH AND DO NOT USE CLEANING AGENTS.  
ONLY CONNECT POWER CORD TO A POLARIZED, SAFETY GROUNDED OUTLET WIRED TO CURRENT ELECTRICAL CODES AND  
COMPATIBLE WITH VOLTAGE, POWER, AND FREQUENCY REQUIREMENTS STATED ON THE REAR PANEL OF THE APPARATUS.  
PROTECT THE POWER CORD FROM DAMAGE DUE TO BEING WALKED ON, PINCHED, OR STRAINED.  
UNPLUG THE APPARATUS DURING LIGHTNING STORMS OR WHEN UNUSED FOR LONG PERIODS OF TIME.  
ONLY USE ATTACHMENTS, ACCESSORIES, STANDS, OR BRACKETS SPECIFIED BY THE MANUFACTURER FOR SAFE  
OPERATION AND TO AVOID INJURY.  
WARNING: TO REDUCE THE RISK OF ELECTRIC SHOCK OR FIRE, DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE.  
SERVICE MUST BE PERFORMED BY QUALIFIED PERSONNEL.  
OUR AMPLIFIERS ARE CAPABLE OF PRODUCING HIGH SOUND PRESSURE LEVELS. CONTINUED EXPOSURE TO HIGH SOUND  
PRESSURE LEVELS CAN CAUSE PERMANENT HEARING IMPAIRMENT OR LOSS. USER CAUTION IS ADVISED AND EAR  
PROTECTION IS RECOMMENDED IF UNIT IS OPERATED AT HIGH VOLUME.  
• WARNING: THIS UNIT REQUIRES A SAFETY GROUNDED OUTLET WIRED TO CURRENT ELECTRIC CODES HAVING THE  
LINE SUPPLY VOLTAGE, POWER, AND FREQUENCY IDENTIFIED ON THE REAR OF THE UNIT. THE OUTLET MUST REMAIN  
ACCESSIBLE TO DISCONNECT THE UNIT IF A FAULT SHOULD ARISE WHILE IN USE. THIS UNIT SHOULD BE UNPLUGGED WHEN  
NOT IN USE.  
EXPLANATION OF GRAPHICAL SYMBOLS:  
EXPLICACION DE SIMBOLOS GRAFICOS:  
EXPLICATION DES SYMBÔLES GRAPHIQUES:  
"IT IS NECESSARY FOR THE USER TO REFER TO THE INSTRUCTION MANUAL"  
“ES NECESARIO QUE EL USUARIO SE REFIERA AL MANUAL DE INSTRUCCIONES.”  
"REFERREZ-VOUS AU MANUAL D'UTILISATION"  
"DANGEROUS VOLTAGE"  
“VOLTAJE PELIGROSO”  
"DANGER HAUTE TENSION"  
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FlexWave65/112 Guitar Amplifier w/DSP and Channel Tracking  
Introduction  
Congratulations! You are now the proud owner of the Crate FlexWave65/112 three-channel  
guitar amplifier with advanced digital signal processing (DSP) and Channel Tracking. This rug-  
ged amplifier combines outstanding features with serious clean and distorted sounds. Digital  
Reverb, Delay, and Modulation effects provide you with a wide variety of sounds. Crate’s  
unique Channel Tracking feature automatically stores your DSP settings for each channel to  
memory. As you switch from one channel to another, the DSP settings for the selected chan-  
nel are instantly recalled. The supplied three-button footswitch allows you to select channels  
and change the DSP bank (Bank A/Bank B) by “remote control.” A front panel 1/8" stereo  
CD input jack allows you to play along with your CD player, MP3 player, or iPod. A rear panel  
insert jack allows you to add even more effects by connecting an external effect processor.  
Like all Crate products, your FlexWave65/112 amplifier is designed by musicians and built  
using only the best components. Extensive testing confirms that this amplifier is the absolute  
best it can be.  
In order to get the most out of your new amplifier, we strongly urge you to read this manual  
before you begin playing.  
And thank you for choosing Crate.  
Here are some of the features packed into your new FlexWave65/112 Combo Amplifier:  
65 watts rms power output  
1 x 12" speaker  
Three-Channel Operation  
—High Gain Channel  
—Overdrive Channel  
—Clean Channel  
3-band EQ on the Overdrive and Clean Channels  
Proprietary “Shape” EQ control on the High Gain Channel  
DSP Effects including Delay, Modulation, and Reverb sections  
CD Input  
Effects Loop  
3-Function Footswitch included  
External Speaker jack  
Built-in Chromatic Tuner  
3
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FlexWave65/112 Guitar Amplifier w/DSP and Channel Tracking  
Channel Tracking  
Your Crate FlexWave65/112 gives you the power of Channel Tracking. Once you select a  
DSP setting for each channel, Channel Tracking stores the settings to memory whenever you  
change channels. When you go back to that channel, Channel Tracking recalls those DSP set-  
tings automatically, without changing the DSP controls!  
For example:  
• Select the Clean channel. Set the Mod control to “Flanger,” the Delay control to “Medium,”  
and adjust the Reverb control to your preference.  
• Select the Overdrive channel. Set the Mod control to “Chorus,” the Delay control to “Slap,”  
and readjust the Reverb control to a different setting. (The DSP settings for the Clean  
channel are now saved to memory.)  
• Select the High Gain channel. Set the Mod control to “Phaser,” the Delay control to “Long,”  
and readjust the Reverb control once again. (The DSP settings for the Overdrive channel  
are now saved to memory.)  
• Reselect the Clean channel. (The DSP settings for the High Gain channel are now saved to  
memory.)  
When you reselected the Clean channel, the DSP settings previously stored in memory were  
automatically recalled. Switch to the Overdrive channel and the DSP settings you just stored  
are still there. You can change the DSP settings at any time. Once you set the DSP and select  
another channel, Channel Tracking stores the settings for you. Even when the amplifier is  
turned off, the DSP settings are stored and recalled the next time you turn it on. That’s the  
power of Channel Tracking!  
In addition, each channel has two DSP banks, Bank A and Bank B, when you use the supplied  
three-button footswitch (see page 8 for more information on using the footswitch). Channel  
Tracking also remembers which DSP bank was selected for each channel.  
4
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FlexWave65/112 Guitar Amplifier w/DSP and Channel Tracking  
The Front Panel  
HIGH GAIN  
OVERDRIVE  
CLEAN  
EFFECTS  
POWER  
INPUT  
GAIN  
SHAPE  
LEVEL  
GAIN  
LOW  
MID  
HIGH  
LEVEL  
VOLUME  
LOW  
MID  
HIGH  
REVERB  
MOD  
DELAY  
SLAP  
PHASER  
LONG  
MEDIUM  
FLANGER  
CHORUS  
OVERDRIVE  
HIGH GAIN  
CLEAN  
CD  
INPUT  
0
10  
0
10  
0
10  
0
10  
0
10  
0
10  
0
10  
0
10  
0
10  
0
10  
0
10  
0
10  
OVERDRIVE  
1
2
3
4
5
6
7
8
9
10  
11  
12  
13 14  
15  
16  
17  
18  
19  
20  
21  
22  
23  
1. INPUT: Use this jack to connect your  
guitar to the amplifier by means of a shield-  
ed instrument cable.  
2. HIGH GAIN LED: This LED illuminates  
when the High Gain channel is selected.  
3. GAIN: Use this control to adjust the amount  
of distortion for the High Gain channel.  
4. SHAPE: Use this control to “dial in” the  
tone for the High Gain channel. Rotating  
this control counter-clockwise enhances the  
mid frequencies, while rotating it clockwise  
enhances the low and high frequencies.  
13. OVERDRIVE/CLEAN: Use this switch  
to select the Clean channel or the Overdrive  
and High Gain channels. With the switch in  
the out position, the Clean channel is select-  
ed. When the switch is pushed in, either the  
High Gain or Overdrive channel is selected,  
depending on the setting of the High Gain/  
Overdrive switch [6].  
14. CLEAN LED: This LED illuminates when  
the Clean channel is selected.  
15. VOLUME: Use this control to adjust the  
output level of the Clean channel.  
16. LOW: This adjusts the bass frequen-  
cies. Use this control to get the best sound-  
ing bass response for your instrument when  
using the Clean channel.  
17. MID: This adjusts the midrange frequen-  
cies. Use this control to get the best projec-  
tion and midrange tones for your instrument  
when using the Clean channel.  
18. HIGH: This adjusts the treble frequen-  
cies. Use this control to attain a bright and  
lively sound for your instrument when using  
the Clean channel.  
19-21. EFFECTS: Use these controls to apply  
and adjust the DSP effects. Complete informa-  
tion on these effects is provided on page 7.  
22. CD INPUT: Use this 1/8" stereo mini  
jack to connect the output from a CD player,  
MP3 player, laptop, etc., to the amplifier.  
The signal at this jack is summed into a  
mono signal, which is sent to the internal  
power amp circuit. Use the output level con-  
trol for the signal source to adjust the signal  
for the proper mix with your guitar.  
5. LEVEL: Use this control to adjust the out-  
put level of the High Gain channel.  
6. HIGH GAIN/OVERDRIVE: Use this switch  
to select the High Gain or Overdrive chan-  
nel. With the switch in the out position, the  
Overdrive channel is selected. When the  
switch is pushed in, the High Gain channel is  
selected. Note: This switch is only active when  
the Overdrive/Clean switch [13] is pushed in.  
7. OVERDRIVE LED: This LED illuminates  
when the Overdrive channel is selected.  
8. GAIN: Use this control to adjust the amount  
of distortion for the Overdrive channel.  
9. LOW: This adjusts the bass frequencies.  
Use this control to get the best sounding  
bass response for your instrument when  
using the Overdrive channel.  
10. MID: This adjusts the midrange frequen-  
cies. Use this control to get the best projec-  
tion and midrange tones for your instrument  
when using the Overdrive channel.  
11. HIGH: This adjusts the treble frequen-  
cies. Use this control to attain a bright and  
lively sound for your instrument when using  
the Overdrive channel.  
23. POWER: Use this switch to turn the  
amplifier on (top of the switch depressed)  
and off (bottom of the switch depressed).  
The switch illuminates when the amplifier is  
12. LEVEL: Use this control to adjust the  
output level of the Overdrive channel.  
turned on.  
5
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